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A typical approach to dealing with so many feature points is to quantize the features into a bag-of-words representation.
A typical approach to increasing network connectivity is to strategically add links; however adding links is not always the most suitable option.
A typical approach to computational library design involves enumeration of structures and properties for the entire virtual library, which may be unpractical for such large libraries.
A typical approach to the design of resilient optical networks is through protection schemes that predetermine and reserve protection resources based on single and double link-failure scenarios.
A typical approach to estimating the size of the health subsidy implicit in the tax exclusions is to estimate the amount of federal personal income tax revenue that is lost because of the income that escapes tax.
A typical approach to active control of sound radiation or transmission from vibrating structures involves active structural acoustic control (ASAC) and active noise control (ANC), which introduce respectively force input and compacted sound source to apply on or be close to the vibrating structure.
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The germ of the presentation came from Antony's friend Marina Abramovic, the celebrated performance artist, who "was encouraging me to pursue a less typical approach to lighting a concert," Antony said.
Accompanying Ms. Wilson on Saturday was Jason Moran, a jazz pianist with classical roots and a strong touch whose typical approach to a popular standard is to begin a song as a semiclassical musical statement and then to veer off on jazz, blues and minimalist tangents.
Identifying a mediating variable is typical approach to refine theory regarding process and to understand a complex causal relationship (Rucker, Preacher, Tormala, & Petty, 2011).
A typical approach is to match tags to clustered ESTs representing putative genes (UniGenes) [ 30], but often these clusters are imperfect, with some genes being split into multiple clusters, while other clusters represent several genes.
Costa's playing was more than just one-handed lines: during a period when the typical approach to jazz piano was to concentrate on right-hand solos while adding only basic left-hand support, Costa used both hands in creating his own vigorous sound.
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